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“There’s a photo of a guy who got tattoos to match those found on Otzi, aka The Iceman, who died more than 5,000 years ago in the Italian Alps. Mike Goldstein, the guy who got the tattoo, said the series of 10 simple lines arranged in groups of four, three, and three served to remind him that you don’t have to be incredibly important during your lifetime in order to be important. “It reminds me that I can live however I want,” he says in the book. “I don’t have to work in an office or wear a tie, as are the expectations of our culture.

It’s rather tragic that the Fondation Le Corbusier insisted that this replica of Ronchamp in Zhengzhou be destroyed. It would have been his most important work, and a great example of atemporailty today. Via Zoohaus. 

Models by Michael Paul Smith. See his Flickr Stream. 

The role of the family photo changed at a glacial pace over its first hundred years. Initially they emulated paintings, the subjects formally posing for long exposure times. The Kodak Brownie and Instamatic made photography portable, allowing for more casual photographs to be taken. Still, a degree of formality was necessary and photographs were expensive objects, largely serving to mark special occasions and the passage of time.